Sei fratelli it's a movie with Riccardo Scamarcio, Valentina Bellè, Adriano Giannini, Gabriel Montesi, Axel Gallois Full cast. Directed by Simone Godano. Original title Sei fratelli Genre Commedia.
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![Ezio Porto]()
Ezio Porto
Ezio Porto
"6 Brothers" I didn't want to see it because it was Italian/French and French films make the milk flow... then it was a choral film... and it's not easy to manage to coordinate so many actors in the same scene... finally the presence of Scamarcio made me it made people turn up their noses... My beloved Lucille insisted and so I agreed. I let myself be guided by her intuition. The film is well made, although it is not a masterpiece, although I wouldn't put it among those possible to watch again, it flows pleasantly without many surprises. The strong point are the extraordinary performances, including Scamarcio, but above all Adriano Giannini. See it if you have nothing else, see it to spend an Easy evening. Certainly not one of the most beautiful films of all time but certainly one of the most beautiful of this year. Here is my complete ranking of the best films and series of 2024:
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![Ignazio Venzano]()
Ignazio Venzano
Ignazio Venzano
Five brothers discover at the meeting with the notary for the inheritance that there are actually six of them. However, this is not the main problem, the five are already children of three different mothers (and they are not all his biologically), they live dispersed between Italy and France and have not seen each other for years. The last sister who appears now takes a little longer to become part of the group, which in any case has very little to share: only debts, and a company for the cultivation of oysters that has been brought back to cultivating pearls (but there are only one). In the period in which the six all have to live together in Bordeaux, where their father last lived, they have to decide what to do, they have different perspectives, various issues between them (in some cases a couple of wives who remain there also have something to do with it). In filming events of this type, already present in Italian cinema, what is new here seems above all to be the setting: some exteriors were filmed in Bordeaux, and it is noticeable, and there is no question relating to the different Italian or French origins of the personages. The issues are very different, as has been said, the problem is that they are not really explored in depth, the arguments also leave room for moments of collective relaxation, and it is very difficult for anything to mature. As in real life, perhaps there is no space either for an irreducible argument or for a strong reconciliation. Too often we are left without more precise answers than what past dynamics suggest. This seems to be the weak element of the film, compared to excellent acting and a story that could have been even more interesting.
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