Masked killer, standardized massacre

I didn't have high expectations for this shot, and I must say that the beginning generated in me the curiosity of a dormouse about to go into hibernation. One eye on the screen, and the other fixed on the PC, dealing with futile matters; the characters just didn't manage to impress me, quite predictable dialogues, a long dull opening, and a certain boredom here and there, until, finally, something new arrives.

(Not even that much, we knew that sooner or then someone would have died, it's still a horror).

I therefore abandon my social duties, anxiously waiting for the little Swedes to be decimated in disparate and not at all trivial ways. Here my gore palate remains quite satisfied, since there are enough crimes, seasoned with a bit of healthy dementia. However, despite offering a handful of bloody kills, it lacks that subtle bite, which ties everything back to yet another missed opportunity, quite disappointing.

 

Speaking of the plot, there is nothing particularly elaborate, and the serial killer is the classic stereotypical avenger.
A group of colleagues is sent on a camping mission, to socialize and lay the foundation stone of a shopping center that will bring significant improvements to a mountain resort. However, not everyone has benefited from it, there are those who have lost land, and those who have lost it.
There will be no spicy shots and exposed breasts between horny young people, on the contrary, the only hot moment of the slasher will be expressed by Adam Lundgren, who in the role of a solid careerist, will not hesitate to put himself in plain sight in front of Lina , played by Katia Winter. The girl will not show any interest in Jonas's beautiful backside, and the other graces, which fortunately were not shown to us spectators (I admit, this scene amused me a lot).

And it is precisely the Jonas's character who will provide the most interesting moments, in a narrative which however loses tension at times and fails to get to grips with more disturbing ideas. However, it remains hilarious to see him fighting for survival, not giving a damn about anyone else, and trying to sacrifice their existence in favor of his. One of the classic avoidable clichés will be represented during the raft escape. Never give a compromising flash drive to an infamous driver: ending up in the lurch is an obvious result. The splatter moment I preferred was when a scalp went off, it reminded me slightly of Terrifier 2, but very distantly, that dark and unhealthy malice doesn't exist here.

 

Patrik Eklund gives us offers modern direction even if Robert Krantz does better in editing. In the cast, some actors work more than others, and this unfortunately partially penalizes the success of the story. All in all, an ironic film that doesn't scare much; let's say you let yourself be watched, especially when you don't have something more stimulating to do.