In an age where zombie films pop up like mushrooms in pink sauce, knowing immediately if you've received a package is no small thing. Gustavo Hernández's Uruguayan horror is not particularly innovative, however it inserts an original, intuitive detail. His dying infected complain of a slight anomalous disorder, never seen before, which makes them temporarily latent.
32 seconds of total blackout after each fatal attack: it does not matter whether the victim was a man or a dog, this is the time it takes for the carcasses to become healthy and ready for the enormous massacre. Another atypical choice is not to reveal what virus it is, in practice, certain facts will never be revealed.
Hernández is not too subtle, and takes little time to unveil the feverish scenario. An aerial shot shows a crowd running through the streets, screams, desperation, sirens blaring. Among these, Iris and Tata, who are mother and daughter, and must reach the skyscraper of the sports club where the woman works. The building initially seems like a place where one can feel partially safe, but that belief soon turns out to be perishable. As soon as the stronghold is breached, tension will rise, and it will not be easy to stem the frenzied invasion.