Splatter lovers, what can I tell you, except that this film is definitely not for you! And not even so much for me, to be honest. I admit, during the first quarter of an hour, I looked at the bed and thought: yes, come on, almost, I'll throw myself into it. But then, slowly, the plot began to come together, despite maintaining some flaws that I cannot ignore. The beginning, first of all, is rather confusing, chaotic, it struggles to clearly outline what is happening, and even the introduction of the characters' characteristics is a murky and messy crescendo. And what about the windows on which the juicy part of the story takes place, either you put toothpicks to keep your eyes wide open, or if they barely close for half a second, you lose something probably interesting. Oh no, you don't do it like that!

Now, after equipping myself with binoculars, with the screen four meters away, I continued watching with more than good expectations. Complaining about the lack of gore, which gave me a little hives (ok, more than a little, maybe at a certain point I even ran out of air), I appreciated the sequel's turn towards a decidedly stimulating idea: the dark web. Who hasn't fantasized about it? I did several times, and the choice is undoubtedly intriguing. Poor Matias, played by Colin Woodell, takes an action that is far too risky. Taking possession of a theoretically lost laptop, which hides unpleasant, literally unpleasant truths. There's no denying that, among millions of plausible owners, catching a hacker is too much bad luck! It won't take long for him to get caught up in a dangerous game, and drag his friends into it in an alarmingly exasperated chat.

Personally, I don't particularly appreciate footage shown via a laptop wallpaper , and horror, I haven't seen much, I would label it as a decent suspense film, nothing more. He does his job well, despite having a script that is a tad forced and bordering on the far-fetched. After a slow take-off intact, he manages to capture attention, and the desire to find out how it will end grows, even if, a slight suspicion at a certain begins to arise. Stephen Susco creates a tense product, also thanks to the inclusion of the figures of the users called Charon, who are quite disturbing.

Six and a half, especially for the love story between the protagonist and Amaya, a deaf and dumb girl, who gets involved in that botched mess despite herself. I found his attempt to save her at all costs very romantic. In a world where relationships are often fake, and pass through the social network, a true, authentic feeling can still make you dream, in the midst of so much evil...